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 Peter Bronder
Reviews | News | Peter Bronder Website
Born in Hertfordshire, England, of German-Austrian parentage, Peter Bronder studied at the Royal Academy of Music, London as well as at the National Opera Studio, before taking his first engagements at Glyndebourne and Welsh National Opera, where he was engaged as principal tenor. During this early phase of his career he sang many leading roles in the Italian lyric repertoire including those in La Boheme, Tosca, La Traviata, Rigoletto, Lucia di Lammermoor, Maria Stuarda, Don Pasquale, I Puritani, La Sonnambula and Barber of Seville; as well as Die Zauberflote, Cosi fan tutte, Eugene Onegin, Die Fledermaus and Der Rosenkavalier (Italian Tenor). Recently he has moved into the more dramatic, predominantly German repertoire, whilst retaining the lyrical qualities necessary for the Mozartean roles of Idomeneo and Tito, which he has performed at Glyndebourne. Notable recent successes have been Loge (Das Rheingold) for Scottish Opera at the Edinburgh Festival and Stuttgart Opera, Erik (Die Fliegende Hollaender) in France, as well as his American debut with the Cleveland Orchestra as Mime (Siegfried). In 2005 he made his debut at the Metropolitan Opera, New York in Falstaff.
Apart from Glyndebourne, his work in Britain includes appearances with the Royal Opera House Covent Garden (Arturo Lucia di Lammermoor, Cassio Otello, Pedrillo Entführung, Andres Wozzeck, Selem The Rake’s Progress, First Jew Salome, Trabuco Forza del Destino), English National Opera (Vanya Katya Kabanova, Almaviva Barber of Seville, Italian tenor Der Rosenkavalier, Alfred Die Fledermaus, Jailor Il Prigioniero), Opera North (Prunier Rondine, Hauptmann Wozzeck, Alexander Il Re Pastore) and Scottish Opera (Rodolfo La Boheme, Leicester Maria Stuarda, Loge Das Rheingold). He has returned to guest at Welsh National Opera in Iphigenie en Tauride, as well as Peter Stein’s productions of Falstaff and Peter Grimes.
Notable engagements abroad include Herod Salome and Sendorf (The Makropoulous Case) for La Scala Milan, Narraboth Salome and Mazal Mr. Broucek for the Bayerische Staatsoper Munich, Ernesto Don Pasquale at Netherlands Opera, Pedrillo Die Entführung aus dem Serail at La Monnaie Brussels and San Francisco Opera, Mime Siegfried for Flanders Opera, Loge Rheingold in Stuttgart, Herod Salome at Flanders Opera and Frankfurt, Laca Jenufa and Bajazet Tamerlano at the Komische Oper Berlin and Dr.Caius Falstaff at the Chatelet Paris.
Peter Bronder has an extensive concert repertoire and has worked with Sir Richard Armstrong, Sir Andrew Davis, Sir Colin Davis, Christoph von Dohnanyi, Rafael Fruebeck de Burgos, Sir John Eliot Gardiner, Bernard Haitink, Richard Hickox, James Levine, Sir Charles Mackerras, and Sir Roger Norrington and Antonio Pappano. He has made numerous radio broadcasts and recordings for Decca, DGG, EMI, Philips, Teldec and most recently for Chandos. Recent concerts appearances include Weber Oberon at the Edinburgh International Festival, Stravinsky Renard at the BBC Proms, Master Peter with the Pittsburg Symphony Orchestra and Bob Boles (Peter Grimes) in Valencia.
Future plans include at Mime (Der Ring des Nibelungen) conducted by Daniel Barenboim at La Scala Milan and Deutsches Staatsoper Berlin, Herod Salome at the Teatro Real Madrid, Shuisky (Boris Godunov) at Teatro Regio Turin, Hauptmann (Wozzeck) at Flanders Opera and Palestrina for Frankfurt Opera.
Management:
Andrew Rosner
e: andrew@alliedartists.co.uk
t: +44 20 7589 6243
f: +44 20 7581 5269
Representation:
General Management Worldwide
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